Showing posts with label milk paint. Show all posts
Showing posts with label milk paint. Show all posts

Monday, 30 September 2013

French Grey Tales, Bedlington


Last week we found ourselves in the north east of England. Not by accident, you understand – we meant to go there. We didn’t just wake up there in a state of confusion, wondering what had just happened. That would be most unusual.
No, we drove up the A1 for three hours to stay in a yurt near Newcastle upon Tyne. This was far too much like camping for Laura, who was lost without a telly, wifi or a hairdryer. Girls, eh?

Ahead of our visit, we’d had a look for any interesting vintage or painted furniture shops to visit  - and one really stood out: French Grey Tales in Bedlington.

French Grey Tales, Bedlington

Layla: "I've got no make-up on!" Laura: "I haven't done my hair!"


We found FGT because it’s listed as a stockist of Miss Mustard Seed milk paint and Laura’s really keen to try it out (we particularly liked some of A Cupboard Less Ordinary’s recent milk paint pieces).
French Grey Tales is run by Layla, whose enthusiasm is infectious and inspiring. The shop’s only been up and running for a few weeks now but it looks gorgeous. From her workshop at the back of the shop, Layla paints furniture to sell and also takes on customer commissions.

This beautiful chest with owl handles sold in a heartbeat

I love the chippy paint on this cupboard

There's just too much to look at...

Owl + bureau = win

Great mirror at a bargain price

More owls...

Chalkboard wall gives details of workshops

Painted steps with glass bottles are a nice touch

You just can't have too many owls...

These were brought in by two lovely ladies while we were visiting


She supports local artisans and craftspeople by selling their products in store and, upstairs, French Grey Tales runs a variety of workshops, which are being well supported.
As well as MMS, FGT now also stocks Autentico chalk paint

It was great to meet Layla, because she’s a terrific example of how grit, determination and a big dollop of talent can make all the difference in starting up your own business. She gave us loads of great ideas and advice on how to take a little of the pain and stress out of opening up a bricks and mortar shop and even gave us a beautiful crate to take away with us, because it came from a farm just down the road from where we were staying – a great little memento of our mini holiday.

Our great crate!


If you’re anywhere near Bedlington (or even if you’re not) we’d recommend a visit to French Grey Tales. If you can’t get there, you’ll have to make do with following Layla on Twitter, Instagram, Pinterest or Facebook

Wednesday, 18 September 2013

Milking it


If you take a look on Facebook at the many pages dedicated to furniture painting, you’ll see lots of people using chalky paints like Annie Sloan or Autentico or traditional paints by brands such as Little Greene and Farrow & Ball, but one thing we don’t see much of, on this side of the Atlantic at least, is milk paint.

Milk paint is a traditional decorating tool that has been used for thousands of years (you can even make your own), but, what with it being made out of milk and all, it has a short shelf life, so was overtaken by more commercial water-based and oil-based paints.

In the States, Miss Mustard Seed is probably the most well-known brand and there are now three stockists in the UK (one of which we hope to visit very soon).

We’ve been an admirer of MMS for a few years now and love the chippy look the paint gives. So we were interested to hear about Pinebrush Colourman – a Devon-based family business that has been producing buttermilk paints since the 1970s.

Laura gave it a try and was pleased with the results. I caught up with her (who am I kidding, she’s sitting right next to me) to find out what she thought.

J: So, how did you get on with the Pinebrush paint?

L: On the whole, I liked the paint a lot. Besides the fact that it smelt of delicious yogurt, the paint, perhaps unsurprisingly, had a 'creamy', velvety texture to it. One thing I did notice, though, was that it took an extra coat (four, rather than our usual three) to ensure that all the brushstrokes had gone completely, so that's something to consider when calculating how much paint you'll need, or how long something will take you to do. A great thing about the paint, was the texture created during the distressing phase. The paint seemed to be slightly more 'chippy' than regular eggshell paints, which helped to create a really natural looking, well-worn finish.


The finished piece


J: Would you use it again?

L: I would definitely use it again, if only to sample the delicious smell once more! Looking at their shade card, they have some really exciting colours, and I'd love to try out some of the brighter ones. 

J: The best thing about it?

L: The smell, indubitably.

J: And the worst thing?

L: Coverage. The drying time seemed to be slightly longer than usual too, so we had to make sure we allowed a good few hours before recoating.

Laura applies the first coat (and suddenly fancies a yogurt)

So there you have it. A pretty good endorsement I’d say.

Let us know how you get on if you try it.